Thursday, 26 March 2015, 3:00 p.m.
Music for None of the Thursday of Passion Week
Prelude: Audi, benigne Conditor (plainsong, mode ii)
Hymn: Rerum, Deus, tenax vigor (plainsong, mode viii)
Antiphon: Numquid redditur pro bono, with Psalms 74 and 75 (plainsong, mode iv)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
The office of None is sung by the students of Regina Pacis Academy.
Wednesday, 25 March 2015, 7:00 p.m.
Music for the Feast of the Annunciation
(Missale Romanum of 1962)
Prelude: Improvisation
Missa Salve Regina (Jean Langlais, 1907-1991)
Gregorian Mass of the Annunciation: Vultum tuum
Introit: Vultum tuum (plainsong, mode ii) [Student Schola trebles]
Tract: Audi filia (plainsong, mode ii) [Student Schola trebles & basses in alternatim]
Offertory: Ave Maria (plainsong, mode viii) [Student Schola basses]
Motet at the Offertory: Ave Maria (Peter Philips, c.1560-1628) [Student Schola]
Communion: Ecce virgo concipiet (plainsong, mode i) [Student Schola trebles]
Hymn at the Communion: Ave Regina cælorum for double choir (Tomás Luis de Victoria, 1548-1611) [Student Schola]
Postlude: Ave Maria, Ave maris stella (Langlais)
The St. Mary’s Schola Cantorum
The St. Cecilia Student Schola
Music for Passion Sunday
(Missale Romanum of 1962, 9:30 a.m.)
Missa Aspice Domine (Cristóbal de Morales, c.1500-1553)
Gregorian Mass of Passion Sunday: Judica me Deus
Motet at the Offertory: Infelix ego (prima pars) (William Byrd, 1540-1623)
Motet at the Communion: Quid igitur faciam / Ad te igitur (Infelix ego, secunda et tertia pares) (Byrd)
Music for the Fifth Sunday of Lent
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: When I Survey the Wondrous Cross (Rockingham)
Introit: Judica me (plainsong, mode iv)
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Offertory: Confitebor tibi (plainsong, mode i)
Hymn at the Offertory: The Royal Banners Forward Go (Agincourt Hymn)
Communion: Qui mihi ministrat (plainsong, mode v)
Hymn at the Communion: Litany of the Passion (Holy Jesu, By Thy Passion) (from The Crucifixion) (John Stainer, 1840-1901)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
Thursday, 19 March 2015, 7:00 p.m.
Music for the Feast of St. Joseph
(Missale Romanum of 1962)
Prelude: Prélude pour le fête du Saint Joseph (Charles Tournemire, 1870-1939)
Missa Ego flos campi for double choir (Juan Gutiérrez de Padilla, c.1590-1664) [Student Schola]
Gregorian Mass of St. Joseph: Justus ut palma
Introit: Justus ut palma (plainsong, mode i) [Student Schola trebles]
Tract: Beatus vir (plainsong, mode viii) [Student Schola trebles & basses in alternatim]
Offertory: Veritas mea (plainsong, mode ii) [Student Schola basses]
Hymn at the Offertory: Veritas mea (Giovanni Pierluigi da Palestrina, c.1525-1594)
Communion: Joseph fili David (plainsong, mode vii) [Student Schola trebles]
Motet at the Communion: Te Joseph celebrent (plainsong, mode i) [Student Schola]
Postlude: Concerto del Sig.r Tomaso Albinoni appropriato all’Organo [in F major] (Johann Gottfried Walther, 1684-1748)
The St. Mary’s Schola Cantorum
The St. Cecilia Student Schola
Thursday, 19 March 2015, 5:30 p.m.
Music for Vespers of the Feast of St. Joseph
Extraordinary Form of the Roman Rite
Ibant parentes Jesu & Psalm 109 (mode i)
Cum redirent & Psalm 110 (mode ii)
Non invenientes Jesum & Psalm 111 (mode iii)
Dixit mater ejus & Psalm 112 (mode iv)
Descendit Jesus & Psalm 116 (mode viii)
Hymn: Te Joseph celebrent (plainsong, mode i)
Magnificat antiphon: Ecce fidelis servus (mode viii)
Commemoration of the Thursday of the Fourth Week of Lent: Propheta magnus (plainsong, mode ii)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
The St. Gregory Student Schola
The St. Cecilia Student Schola
Thursday, 19 March 2015, 12:10 p.m.
Music for the Feast of St. Joseph
(Missale Romanum of 2002)
Prelude: Prélude pour le fête du Saint Joseph (Charles Tournemire, 1870-1939)
Introit: The righteous man shall flourish (plainsong, mode i)
Missa Dominator Deus (Vatican Gradual, Mass XV)
Offertory: My fidelity and my mercy (plainsong, mode ii)
Hymn at the Offertory: Hail, Holy Joseph, Hail! (Maria Jung und Zart)
Communion: Joseph, son of David (plainsong, mode vii, with verses)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
Postlude: Improvisation
Mass is sung approximately once per month by the students of Regina Pacis Academy.
Sharon Levin, flute
Gerard Reuter, oboe
David Hughes, piano
music of Telemann, Marcello, Quantz, Corrette, Gaubert
Sunday, 15 March 2015, 4:00 P.M.
General Admission: $15 / Students: $10
A festive reception will follow the recital.
* * *
Sharon Levin has performed in Brazil, Costa Rica, Ecuador, France, Switzerland, Germany, Israel, and the U.S.A. She has appeared at Weill Recital Hall at Carnegie Hall, NYC in 1988, 1989, (1991 at Merkin Concert Hall), 1996, 2000, 2002 and 2008 performing solos and chamber music. She has appeared on national television in Brazil, Costa Rica and Ecuador and has been interviewed and performed on New York's WQXR radio with harpist, Karen Stern. Sharon Levin has won awards from Artists International in 1988, 1989 and 1991 with harpist, Karen Stern and in 1996 as a soloist. She has performed as a concerto soloist in Brazil, Ecuador, France, Connecticut and New Jersey. Since 1988 she was the principal Flutist with the New Jersey Pops Symphony Orchestra until they dissolved in 2002.
Ms. Levin has been performing for over 30 years with harpist, Karen Stern. As the Levin/Stern Duo, they performed in Europe, South America, Central America and the U.S.A. They perform recitals, concertos, educational lecture/performances and for private special occasions.
Her Ecuadorian group, Trio Pasional, consisting of flute and two guitars recorded two CDs called "Mi Ultimo Beso" (My Last Kiss) and "Reir Llorando" (To Laugh Crying). She hopes this music will heighten the public's awareness of the need to conserve the rain forests and the cultures with which they coexist. Some of Trio Pasional's performances have been at Weill Recital Hall at Carnegie Hall, CAMI Hall, NYC, The New York Flute Club Flute Fair, and recently at the International Flute Festival in Costa Rica. Other performances include The Newark Museum, (NJ), The Union County Arts Center, (NJ), First Night in Summit, (NJ), The Jefferson Auditorium, Virginia, and at various metropolitan colleges, universities, and diplomatic events. Sharon has spent several years studying Ecuadorian Mestizo Music and created a publication of this style music for Flute and Piano with the help and talent of pianist, Allison Brewster Franzetti.
She has explored Brazilian Chorinho music and spent several years studying this style as well. She performs Chorinhos with guitarist, Tiberio Nascimento.
Ms. Levin has a Master's Degree from Manhattan School of Music and prior to that she studied in Paris, France where she was awarded the "Certificat de Musique de Chambre" from the Ecole Normale de Musique. She holds a Bachelor of Arts Degree from Sarah Lawrence College in Bronxville, NY. She has given several Master Classes in Spanish in Costa Rica and Ecuador, and has translated for Master Classes in Costa Rica for other flute Artists. In August of 2005 Ms. Levin gave a lecture/performance on Ecuadorian Mestizo Music at the National Flute Association Convention in San Diego. In 2006 she published Ecuadorian Mestizo Music for Flute and Piano. Ms. Levin performs and teaches at the International Flute Festival in Costa Rica. She was conductor of the Young Artists and Young People's Flute Choirs of the Stamford Young Artist Philharmonic from 2006 - 2010. Ms. Levin performs regularly in the north east region and teaches privately.
Sharon Levin teamed up with Westport guitarist, Gene Pino, and they created Duo Del Norte. They perform a blend of Latin American music with Classical, Renaissance, Baroque, Romantic and Great American and International Standards. They perform for recitals, ceremonies and celebrations.
* * *
"Reuter clearly held the spotlight...richly earned... with a brilliant performance." - The Washington Post
Gerard Reuter has enjoyed a varied and distinguished career as soloist, conductor and in chamber music, touring the United States, Europe, India and Africa. He is a member of the Dorian Wind Quintet and was a founding member of the Orpheus Chamber Orchestra, An Die Musik and the Chelsea Chamber Ensemble. His many guest appearances at music festivals in the United States have included Caramoor, Marlboro, Tanglewood, LaJolla, Malibu, Tucson, Round Top, the Chamber Music Festival of the Library of Congress, Grand Tetons, Bar Harbor, and Market Square Concerts’ Summerfest;and in Europe at the Flanders and Dartington festivals, as well as the International Musicians' Seminar at Prussia Cove. As a soloist, in New York he has appeared with the Jupiter Symphony, the Soviet Emigré Orchestra, Orpheus Chamber Orchestra, Philharmonia Virtuoso, Orchestra of the Bronx and in Washington, DC with the National Chamber Orchestra. He has been heard on major radio stations throughout this country and in Europe. He has recorded for Sony, New World, Summit, Telarc, Columbia, Musical Heritage Society and in concert for the Voice of America.
As a recipient of the Pro Musicis Foundation's International Award, Mr. Reuter has been presented in recitals in New York, Washington, Los Angeles and Boston as well as in major cities in Europe and Asia. Mr. Reuter has served on the faculties of New York University, Mannes College and Sarah Lawrence College.
Increasingly active as a conductor, Mr. Reuter directs The Wind & Brass Ensemble of the Stamford Young Artists Philharmonic. As a guest he has conducted the Jupiter Symphony, Riverside Symphony, Claremont Strings, New York Mandolin Orchestra, the St Joseph’s Choir (Danbury, CT) in performances of Handel’s Messiah and the Requiems of Duruflé and Rutter, and the Schenectady Symphony, of which Albany’s “Times-Union” reported: “The Schenectady Symphony Orchestra under Reuter were in fine form…[he] led a fine, rollicking, crisp performance.”
Music for the Fourth Sunday of Lent
(Missale Romanum of 1962, 9:30 a.m.)
Prelude: An Wasserflüssen Babylon (BWV 653) (Johann Sebastian Bach, 1685-1750)
Missa Cantate (John Sheppard, c.1515-1558)
Gregorian Mass of the Fourth Sunday of Lent: Laetare
Kyrie Salve (plainsong, mode i)
Offertory: Laudate Dominum (plainsong, mode ii, with verses)
Motet at the Communion: Audi benigne Conditor (Guillaume Dufay, c.1400-1474)
Postlude: Partitas on Ach, was soll ich Sünder machen? (BWV 770) (Bach)
Music for the Fourth Sunday of Lent
(Missale Romanum of 2002, 11:30 a.m.)
Hymn at the Procession: Christ Is the World’s Light (Christe sanctorum)
Introit: Laetare (plainsong, mode v)
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Offertory: Laudate Dominum (plainsong, mode ii)
Hymn at the Offertory: Call to Remembrance (Richard Farrant)
Hymn at the Offertory: All You Who Seek a Comfort Sure (Kingsfold)
Communion: Jerusalem, quae aedificatur (plainsong, mode iv)
Motet at the Communion: God So Loved the World (from The Crucifixion) (John Stainer, 1840-1901)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
Organ music as above
Saturday, 14 March 2015, 9:00 a.m.
Music for the Saturday of the Third Week of Lent
(Missale Romanum of 1962)
Missa pro Feriis Adventus & Quadragesimae (Vatican Gradual, Mass XVIII)
Gregorian Mass of the Saturday after the Third Sunday of Lent: Verba mea
Hymn at the Offertory: Parce Domine (plainsong, mode i)
Hymn at the Communion: Audi benigne Conditor (plainsong, mode ii)
The second Saturday of every month is a Missa cantata celebrated
for the intentions of the Gospel of Life Society at St. Mary’s.
Thursday, 12 March 2015, 5:30 p.m.
Music for Vespers of the Feast of St. Gregory
Extraordinary Form of the Roman Rite
Ecce sacerdos magnus & Psalm 109 (mode vii)
Non est inventus & Psalm 110 (mode vii)
Ideo jurejurando & Psalm 111 (mode viii)
Sacerdotes Dei & Psalm 112 (mode vii)
Serve bone & Psalm 131 (mode iii)
Hymn: Iste Confessor (plainsong, mode viii)
Magnificat antiphon: O Doctor optime (mode ii)
Commemoration of the Thursday of the Third Week of Lent: Omnes qui habebant (plainsong, mode i)
Marian antiphon: Ave Regina caelorum (plainsong, mode vi)
The St. Gregory Student Schola
The St. Cecilia Student Schola
