Monthly Archives: April 2017

Saturday, 15 April 2017, 7:00 p.m.
Music for the Great Paschal Vigil and First Mass of Easter
The Exsultet
Canticle: Cantemus Domino (plainsong, mode viii)
Canticle: Vinea facta est (plainsong, mode viii)
Canticle: Attende caelum (plainsong, mode viii)
Canticle: Sicut cervus (plainsong, mode viii)
Hymn at the aspersion: Rex sanctorum angelorum (Sarum plainsong, mode viii)
Antiphon at confirmation: Confirma hoc, with Psalm 67 (plainsong, mode viii)
Antphon at confirmation: Ecce sic benedicetur (plainsong, mode vi)
The Litany of the Saints

At Mass
Kyrie Lux et origo (Vatican Gradual, Mass I)
Gloria: Coronation Mass (K. 317) (Wolfgang Amadeus Mozart, 1756-1791)
Alleluia: Confitemini Domino (plainsong, mode viii)
Tract: Laudate Dominum (plainsong, mode viii)
Motet at the Offertory: Surrexit pastor bonus (Tomás Luis de Victoria, 1548-1611)
Motet at the Offertory: Regina caeli à 4 (Orlande de Lassus, c.1532-1594)
Sanctus & Benedictus: Coronation Mass (Mozart)
Motet at the Communion: Dum transisset Sabbatum I (John Taverner, 1490-1545)
Antiphon of Vespers: Alleluia, alleluia, alleluia, with Psalm 116 (plainsong, mode vi)
Magnificat antiphon of Vespers: Vespere autem sabbati (plainsong, mode viii)
Postlude: Prelude & Fugue in C Major (BWV 545) (Johann Sebastian Bach, 1685-1750)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir
Coro Hispano de Santa María

Saturday, 15 April 2017, 8:00 a.m.
Music for Matins & Lauds of Holy Saturday

Matins: First Nocturn
Antiphon In pace in idipsum, with Psalm 4 (plainsong, mode viii)
Antiphon Habitabit in tabernaculo, with Psalm 14 (plainsong, mode viii)
Antiphon Caro mea requiescet, with Psalm 15 (plainsong, mode vii)
A reading from the Lamentations of the prophet Jeremiah (I) (plainsong)
Responsory: Sicut ovis ad occisionem (plainsong, mode iv)
A reading from the Lamentations of the prophet Jeremiah (II) (plainsong)
Responsory: Jerusalem, surge (plainsong, mode v)
A reading from the Lamentations of the prophet Jeremiah (III) (plainsong)
Responsory: Plange quasi virgo (plainsong, mode v)

Matins: Second Nocturn
Antiphon Elevamini, portæ æternales, with Psalm 23 (plainsong, mode v)
Antiphon Credo videre bona, with Psalm 26 (plainsong, mode iv)
Antiphon Domine, abstraxisti, with Psalm 29 (plainsong, mode viii)
Commentary of St. Augustine on the Psalms (I)
Responsory: Recessit pastor noster (plainsong, mode vii)
Commentary of St. Augustine on the Psalms (II)
Responsory: O vos omnes (plainsong, mode viii)
Commentary of St. Augustine on the Psalms (III)
Responsory: Ecce quomodo moritur (plainsong, mode iv)

Matins: Third Nocturn
Antiphon Deus adjuvat me, with Psalm 53 (plainsong, mode viii)
Antiphon In pace factus est, with Psalm 75 (plainsong, mode vii)
Antiphon Factus sum sicut homo, with Psalm 87 (plainsong, mode iv)
Epistle of St. Paul to the Hebrews (I)
Responsory: Astiterunt reges terræ (plainsong, mode viii)
Epistle of St. Paul to the Hebrews (II)
Responsory: Æestimatus sum (plainsong, mode iv)
Epistle of St. Paul to the Hebrews (III)
Responsory: Sepulto Domino (plainsong, mode ii)

Lauds
Antiphon O mors, ero mors tua, with Psalm 50 (plainsong)
Antiphon Plangent eum quasi unigenitum, with Psalm 91 (plainsong)
Antiphon Attendite universi populi, with Psalm 63 (plainsong)
Antiphon A porta inferi, with the Canticle of Hezekiah (plainsong)
Antiphon O vos omnes, with Psalm 150 (plainsong)
Antiphon Mulieres sedentes, with the Benedictus (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Miserere mei (plainsong)

Viri Galilæi

Friday, 14 April 2017
Music for Good Friday

The Commemoration of the Passion & Death of the Lord (3:00 p.m.)
(Missale Romanum of 1962)
Tract: Domine, audivi auditum (plainsong, mode ii)
Tract: Eripe me, Domine (plainsong, mode ii)
Passio Domini Nostri Jesu Christi secundum Joannem (polyphonic turba setting by Tomás Luis de Victoria, 1548-1611)
The Reproaches (plainsong)
Antiphon: Crucem tuam (plainsong, mode iv)
Motet at the Adoration of the Cross: Ecce lignum / Crux fidelis (Adrian Willaert, c.1490-c.1562)
Hymn at the Adoration of the Cross: Crux fidelis (plainsong)
Motet at the Adoration of the Cross: Vere languores (Victoria)
Hymn at the Translation of the Sacrament: Vexilla Regis prodeunt (more Hispano) (Victoria)

Vespers of Good Friday
Antiphon Calicem salutaris accipiam, with Psalm 115 (plainsong, mode ii)
Antiphon Cum his qui oderunt, with Psalm 119 (plainsong, mode viii)
Antiphon Eripe me, Domine, with Psalm 139 (plainsong, mode viii)
Antiphon Domine, clamavi ad te, with Psalm 140 (plainsong, mode vii)
Antiphon Considerabam ad dexteram, with Psalm 141 (plainsong, mode vii)
Antiphon Cum accepisset acetum, with the Magnificat (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Motet: Miserere (Johannes Martini, c.1440-c.1498)

Procession of the Cristo Muerto & Burial with Compline (7:00 p.m.)
Prelude: Letanía de la Pasión: Iesu dulcissime (anonymous, from the missions of Bolivia)
Antiphon: O Crux benedicta (plainsong, mode i)
Hymn: O Cruz fiel y venerable (Picardy)
Hymn: Vexilla Regis prodeunt (plainsong, more Hispano)

Psalm 4 (recto tono)
Psalm 90 (recto tono)
Psalm 113 (recto tono)
Nunc dimittis (plainsong, mode iii)
Responsory Christus factus est
Miserere (Fabrizio Dentice, c.1539-1581)
Cantada al Santísimo y de Pasión (Sebastián Durón, 1660-1716)

The St. Mary’s Schola Cantorum
Men of the St. Mary’s Choir and Coro Hispano

Friday, 14 April 2017, 8:00 a.m.
Music for Matins & Lauds of Good Friday

Matins: First Nocturn
Antiphon Astiterunt reges terræ, with Psalm 2 (plainsong, mode viii)
Antiphon Diviserunt sibi, with Psalm 21 (plainsong, mode viii)
Antiphon Insurrexerunt in me, with Psalm 26 (plainsong, mode viii)
A reading from the Lamentations of the prophet Jeremiah (I) (plainsong)
Responsory: Omnes amici mei (plainsong, mode viii)
A reading from the Lamentations of the prophet Jeremiah (II) (plainsong)
Responsory: Velum templi (plainsong, mode ii)
A reading from the Lamentations of the prophet Jeremiah (III) (plainsong)
Responsory: Vinea mea electa (plainsong, mode viii)

Matins: Second Nocturn
Antiphon Vim faciebant, with Psalm 37 (plainsong, mode viii)
Antiphon Confundantur et revereantur, with Psalm 39 (plainsong, mode iv)
Antiphon Alieni insurrexerunt, with Psalm 53 (plainsong, mode iv)
Commentary of St. Augustine on the Psalms (I)
Responsory: Tamquam ad latronem (plainsong, mode viii)
Commentary of St. Augustine on the Psalms (II)
Responsory: Tenebræ factæ sunt (plainsong, mode vii)
Commentary of St. Augustine on the Psalms (III)
Responsory: Animam meam dilectam (plainsong, mode viii)

Matins: Third Nocturn
Antiphon Ab insurgentibus in me, with Psalm 58 (plainsong, mode i)
Antiphon Longe fecisti, with Psalm 87 (plainsong, mode viii)
Antiphon Captabunt in animam justi, with Psalm 93 (plainsong, mode viii)
Epistle of St. Paul to the Hebrews (I)
Responsory: Tradiderunt me in manus (plainsong, mode vi)
Epistle of St. Paul to the Hebrews (II)
Responsory: Jesum tradidit impius (plainsong, mode viii)
Epistle of St. Paul to the Hebrews (III)
Responsory: Caligaverunt oculi mei (plainsong, mode v)

Lauds
Antiphon Proprio Filio suo, with Psalm 50 (plainsong)
Antiphon Anxiatus est in me, with Psalm 142 (plainsong)
Antiphon Ait latro ad latronem, with Psalm 84 (plainsong)
Antiphon Dum conturbata fuerit, with the Canticle of Habakkuk (plainsong)
Antiphon Memento mei, Domine Deus, with Psalm 147 (plainsong)
Antiphon Posuerunt super caput ejus, with the Benedictus (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Miserere mei (plainsong)

Viri Galilæi

Thursday, 13 April 2017, 7:00 p.m.
Music for the Mass of Maundy Thursday
(Missale Romanum of 1962)

At Mass
Missa Mon cœur se recommande à vous (Johannes Eccard, 1553-1611)
Motet at the Offertory: O bone Jesu (Loyset Compère, c.1450-1518)
Motet at the Communion: O Domine Jesu Christe, adoro te in cruce (Tomás Luis de Victoria, 1548-1611)
Motet at the Communion: Ave verum corpus (William Byrd, 1540-1623)
Hymn at the procession: Pange lingua gloriosi (plainsong, mode iii)
Hymn at the procession: Jesu dulcis memoria (plainsong, mode i)
Hymn at the procession: Verbum supernum (plainsong, mode viii)
Hymn at the procession: Sacris solemniis (plainsong, mode iv)
Motet: Genitori genitoque à 4 (more Romano) (Victoria)

At Vespers
Antiphon Calicem salutaris accipiam, with Psalm 115 (plainsong, mode ii)
Antiphon Cum his qui oderunt, with Psalm 119 (plainsong, mode viii)
Antiphon Eripe me, Domine, with Psalm 139 (plainsong, mode viii)
Antiphon Domine, clamavi ad te, with Psalm 140 (plainsong, mode vii)
Antiphon Considerabam ad dexteram, with Psalm 141 (plainsong, mode vii)
Antiphon Coentatibus autem, with the Magnificat (plainsong, mode i)
Responsory Christus factus est
Miserere mei (plainsong)

At the Stripping of the Altars
Antiphon Diviserunt sibi, with Psalm 21 (recto tono)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir
Coro Hispano de Santa María
The St. Cecilia Student Schola

Wednesday, 12 April 2017, 7:00 p.m.
Music for Tenebræ
Matins & Lauds of Maundy Thursday

Matins: First Nocturn
Antiphon Zelus domus tuae, with Psalm 68 (plainsong, mode viii)
Antiphon Avertantur retrorsum, with Psalm 69 (plainsong, mode viii)
Antiphon Deus meus, eripe me, with Psalm 70 (plainsong, mode viii)
A reading from the Lamentations of the prophet Jeremiah (I) (plainsong)
Responsory: In monte Oliveti (plainsong, mode viii)
A reading from the Lamentations of the prophet Jeremiah (II) (Tomás Luis de Victoria, 1548-1611)
Responsory: Tristis est anima mea (plainsong, mode viii)
A reading from the Lamentations of the prophet Jeremiah (III) (Victoria)
Responsory: Ecce vidimus eum (plainsong, mode v)

Matins: Second Nocturn
Antiphon Liberavit Dominus, with Psalm 71 (plainsong, mode vii)
Antiphon Cogitaverunt impii, with Psalm 72 (plainsong, mode viii)
Antiphon Exsurge, Domine, with Psalm 73 (plainsong, mode i)
Commentary of St. Augustine on the Psalms (I)
Responsory: Amicus meus (Victoria)
Commentary of St. Augustine on the Psalms (II)
Responsory: Judas mercator pessimus (Victoria)
Commentary of St. Augustine on the Psalms (III)
Responsory: Unus ex discipulis meis (Victoria)

Matins: Third Nocturn
Antiphon Dixi iniquis, with Psalm 74 (plainsong, mode vii)
Antiphon Terra tremuit, with Psalm 75 (plainsong, mode viii)
Antiphon In die tribulationis, with Psalm 76 (plainsong, mode vii)
Epistle of St. Paul to the Corinthians (I)
Responsory: Eram quasi agnus innocens (Victoria)
Epistle of St. Paul to the Corinthians (II)
Responsory: Una hora (Victoria)
Epistle of St. Paul to the Corinthians (III)
Responsory: Seniores populi (Victoria)

Lauds
Antiphon Justificeris, Domine, with Psalm 50 (plainsong)
Antiphon Dominus tamquam ovis, with Psalm 89 (plainsong)
Antiphon Contritum est cor meum, with Psalm 35 (plainsong)
Antiphon Exhortatus es, with Exodus 15 (plainsong)
Antiphon Oblatus est, with Psalm 146 (plainsong)
Antiphon Traditor autem, with the Benedictus (plainsong, mode i)
Responsory Christus factus est (plainsong, mode v)
Motet: Miserere mei (William Byrd, 1540-1623)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir
The St. Cecilia Student Schola

Sunday, 9 April 2017, 9:30 a.m.
Music for Palm Sunday
(Missale Romanum of 1962, 9:30 a.m.)

At the consecration and reception of palms
Asperges me (plainsong, mode vii)
Antiphon: Hosanna filio David (plainsong, mode vii)
Sanctus XVIII
Antiphon at the reception of palms: Pueri Hebraeorum portantes, with Psalm 23:1-4 (mode i)
Motet at the reception of palms: Pueri Hebraeoum vestimenta (Tomás Luis de Victoria, 1548-1611)
Antiphon at the reception of palms: Pueri Hebraeoum vestimenta, with Psalm 46:1-10 (mode i)

At the procession
Antiphon: Cum audisset populus (plainsong, mode v)
Hymn: Hosanna, Loud Hosanna (Ellacombe)
Anthem: Ante sex dies (plainsong, mode viii)
Hymn: To Jesus Christ, Our Sovereign King (Ich glaub an Gott)
Hymn: The Royal Banners Forward Go (Agincourt)
Hymn: Christus vincit (traditional melody)
Antiphon at the entrance into the church: Gloria, laus, et honor (plainsong, mode i)
Responsory: Ingrediente

At the Mass of the Passion
Missa pro Dominicis Adventus & Quadragesimae (Vatican Gradual, Mass XVII)
Passio Domini Nostri Jesu Christi secundum Matthaeum (polyphonic turba settings by Victoria)
Motet at the Offertory: Vexilla Regis prodeunt (more Romano) (Victoria)
Motet at the Communion: Vexilla Regis prodeunt (Victoria) (continued)
Motet at the Communion: O Domine Jesu Christe, adoro te in cruce (Victoria)

The St. Mary’s Schola Cantorum
The St. Mary’s Choir
The St. Cecilia Student Schola
The St. Gregory Student Schola
The St. John the Baptist Choristers