Charlotte Dobbs, soprano
David Hughes, piano
music of Karg-Elert, Copland, and Hughes
Copland: Twelve Songs of Emily Dickinson
Hughes: Song Cycle on Poems of Gerard Manley Hopkins (premiere performance)
Sunday, 17 May 2015, 4:00 P.M.
General Admission: $15 / Students: $10
A festive reception will follow the recital.
Praised in Opera Now for her “angelic lyric soprano voice", Charlotte Dobbs brings luminous sound and incisive musicianship to a broad repertoire that encompasses Bach, Mozart, and the bel canto masters, as well as the second Viennese school and contemporary composers.
Charlotte made her New York Philarmonic debut in a new song cycle by the Swiss composer Michael Jarrell, as well as debuts with the Philadelphia Orchestra in a concert of works of Mozart and the Alabama Symphony Orchestra in Handel’s Messiah. She joined the Los Angeles Chamber Orchestra for Bach’s Magnficat under Jeffrey Kahane. She also was featured in recital at Caramoor, Collage New Music in Boston, and with the Claring Chamber Players for Faure’s La Bonne Chanson.
On the operatic stage, Charlotte made her debut with New York City Opera in VOX, a concert performance of new operas, as well as covering Governess in their production of The Turn of the Screw. Charlotte made her European debut in as Corinna in Il viaggio a Reims at the Rossini Opera Festival in Pesaro, and returned to Italy to sing Rosina in Il barbiere di Siviglia under the auspices of the Fondazione Pergolesi Spontini and Teatro Aligheri in the theaters of Jesi, Fermo, and Ravenna. She also made her debut in 2009 with the Chicago Opera Theater, singing Servilia in La clemenza di Tito with Jane Glover in a new production of Christopher Alden. Under the baton of Lorin Maazel, she appeared as Governess in the Chateauville Foundation’s production of The Turn of the Screw. Other recent operatic credits include Amina in La Sonnambula, Donna Elvira in Don Giovanni, the title role in Tchaikovsky's Iolanta, Nuria in Ainadamar, and Countess in Le nozze di Figaro with the Curtis Opera Theater, as well as the title role in Iphigenie en Aulide, Elettra in Idomeneo, and Juno in La Calisto at Juilliard. Charlotte also joined renowned theater group The Civilians for their production Paris Commune at Arts Emerson and the Brooklyn Academy of Music.
She appeared recently with Music of the Baroque in Chicago, in a concert performance of Dido and Aeneas and other works of Purcell, as well as several recital appearances at Caramoor. She also recently made her debut with the Colorado Symphony Orchestra, singing Beethoven’s Ninth Symphony under the baton of Jeffrey Kahane. She appeared in recital with Mitsuko Uchida at the Marlboro Music Festival, performing Schoenberg's Book of the Hanging Gardens. Also at Marlboro, she gave her first performance of Schoenberg's Second String Quartet, which was reprised with the Saratoga Chamber Players. She has been featured in three programs with the New York Festival of Song, most recently “The Sweetest Path” at Caramoor and Merkin Hall. Miss Dobbs made her Kimmel Center and Carnegie Hall debuts in Nielsen's Third Symphony with the Curtis Symphony Orchestra under the baton of Alan Gilbert.
Born in Massachusetts, she has received an M.M. from both Juilliard and Curtis and a B.A. from Yale, where she majored in English and Music.