Sacred Music at St. Mary’s


Music for the Eighteenth Sunday of the Year, 5 August 2007

Prelude: Kommst du nun, Jesu, vom Himmel herunter (J.S. Bach, 1685-1750)

Mass Ordinary: Missa de Angelis (Mass VIII)

Communion: Panem de caelo (plainchant, mode v)

Postlude: Toccata in F Major [BWV 540] (Bach)



Music for the Seventeenth Sunday of the Year, 29 July 2007

Prelude: Vater unser im Himmelreich (J.S. Bach, 1685-1750)

Communion: Petite et accipietis (plainchant, mode i)

Postlude: Choral [JA 82] (Jehan Alain, 1911-1940)



Music for the Sixteenth Sunday of the Year, 22 July 2007

Prelude: Praeludium in D Major, BuxWV 139 (Dietrich Buxtehude, c.1637-1707)

Communion: Optimam partem (plainchant, mode viii)

Postlude: Improvisation on Gelobt sei Gott



St. Mary’s at the CMAA Colloquium

St. Mary’s was represented at the 2007 Summer Music Colloquium, sponsored by the Church Music Association of America in Washington, D.C., by a contingent of five parishioners:

St. Mary's group - 2007 Colloquium

From left to right, Adelaide Anderson, Mary McFeely (Coordinator of Religious Education), Ann Marie Mitchell, Fr. Greg Markey (Pastor), and David J. Hughes (Organist & Choirmaster).



Music for the Fifteenth Sunday of the Year, 15 July 2007

Prelude: Dies sin die heil’gen zehn Gebot’ [These are the Holy Ten Commands], BWV 679 (J.S. Bach, 1685-1750)

Mass Ordinary: Missa de Angelis (Mass VIII)

Communion: Passer invenit (plainsong, mode i)

Postlude: Praeludium in G Major (Bach)



Music for the Fourteenth Sunday of the Year, 8 July 2007

Prelude: Freu dich sehr (Max Reger, 1873-1916)

Alleluia: Magnus Dominus (plainsong, mode vii)

Communion: Gustate et videte (plainsong, mode iii)

Postlude: Acclamations Carolingiennes [Christus vincit] (Jean Langlais, 1907-1991)



Music for the Thirteenth Sunday of the Year, 1 July 2007

Prelude: Improvisation on the Introit Omnes gentes plaudite manibus

Mass Ordinary: Missa de Angelis (Mass VIII)

Alleluia: Omnes gentes plaudite manibus (plainsong, mode i)

Communion: Inclina aurem tuam (plainsong, mode iv)
Postlude: Improvisation



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